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    The description :<2017 a–z works printed matter contact & biog <2018 village lawyer solo exhibition at can / centre d'art, neuchâtel opens friday 25th may 2018. performance by concert on opening night. burea...

    This report updates in 14-Jun-2018

Created Date:2001-08-11

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<2017 a–z works printed matter contact & biog <2018 village lawyer solo exhibition at can / centre d'art, neuchâtel opens friday 25th may 2018. performance by concert on opening night. bureau of unspecified services salt galata, istanbul group exhibition. corridor project space, david bernstein, fiona connor, , aaron flint jamison, junzioui, rosa sijben, škart, john ziqiang wu, danna vajda curated by sohrab mohebbi april 12 – july 15, 2018 opens friday 12th april 2018 job interviews publication edited and illustrated by designed by will holder and published by para site, hong kong and uh books. the ritual of the 'job interview’ can be considered as a courtship that’s conditioned by protocols that ask for a quite particular display: with social relations as material, a dance of conformity, the attempted imagining and echoing of expectations. the anthology of commissioned writing includes contributions by nadim abbas, howie chen, heman chong, matthew dickman, jason dodge, holly pester, angie keefer, natasha soobramanien, marina vishmidt, and jonas akaitis. → available from uh books book launches: friday 26th january 2018 kunstverein amsterdam hazenstraat 28, 1016 amsterdam, netherlands 18:00-20:00, readings by freya chou, , will holder and danae papazymouri at 18:30 saturday 27th january 2018 ateliers evans & gordon, brussels rue de danemark 5, 1050 st gilles, brussels 20:00–22:00 readings by freya chou, , will holder and natasha soobramanien at 20:30 monday 29th january 2018 spike art quarterly, berlin rosa-luxemburg-straße 45, 10178 berlin 19:30-21:30 readings by freya chou, jason dodge, , will holder and bitsy knox at 20:00 merry-go-round nathan azhderian, ceel mogami de haas, lisa oppenheim and juliette jongma, amsterdam opens 20th january 2018 <2017 winter season : grazer kunstverein sound work with morten norbye halvorsen opens december 2017 the oslo museum of contemporary art group exhibition at kunsthall oslo 18th november 2017 – 21st january 2018 kunsthall oslo, rostockgata 2-4 mophradat presents "what's your favorite tool? at bureau des réalités , brussels an evening with mirene arsanios, , jasmina metwaly, sophie nys, marnie slater, nile sunset annex wednesday october 4th, 7pm , pak sheung chuen two exhibitions para-site , hong kong september 23 - december 3, 2017 opening talk: september 22, 6:30–7pm opening reception: september 22, 7–9pm para site is pleased to present two exhibitions by and pak sheung chuen. both presentations include newly commissioned works and are curated by freya chou. with diverging approaches, both artists offer a mediation on power. from the protocols of job interviews to the conventions and formalities of courts of law, evans’s and pak’s works tease out the complex relationships between citizens and society. in english speaking countries, a "cowlick" is an expression given to describe a kink in someone’s hair, a wayward tuft that grows in a direction different from that of the rest. the series of sculptures that are central to ’s exhibition bear cowlicks but, tangential to the coiffeurial connotation, are cast from genuine licks made by cows in buckets of molasses and cereal. these seemingly arbitrary gestures become intermediaries: they are embodied in relief sculptures and incorporated into a series of transaction windows. an audio piece, titled jingle, is also placed in an intermediary position, directly at the entrance to para site. recorded with a hong kong farmer and produced in collaboration with morten norbye halvorsen, the jingle is set to cumulatively proclaim and broadcast the arrival of each visitor. also exhibited are a series of airbrush paintings produced as part of job interviews, a new bilingual publication edited and illustrated by evans. the ritual of the "job interview" can be considered as a courtship that’s conditioned by protocols that ask for a quite particular display: with social relations as material, a dance of conformity, the attempted imagining and echoing of expectations. the anthology of commissioned writing includes contributions by nadim abbas, howie chen, heman chong, matthew dickman, jason dodge, holly pester, angie keefer, natasha soobramanien, marina vishmidt, and jonas akaitis. pak sheung chuen entered an aesthetic pilgrimage of self-healing after the failure of the umbrella movement in hong kong in 2014. the political impasse had plunged pak into a state of depression that left him devoid of enthusiasm to work. he started attending court proceedings of cases involving political activists who were being prosecuted by the government. sitting in the courtroom, pak began making automatic drawings, a subconscious reaction to these cases that became a form of response to what the city was experiencing at the time. the exhibition presents the outcome of his observations from various court cases, transformed into multiple narratives through wallpaper, graffiti, archives, and objects. these works represent the ‘chaos’ that took place at the beginning of the movement. for pak, the solemn and intense atmosphere in the courthouse creates a membrane of safeguard, in which he is able to release the trauma and negative energy that he has internalised. through long and repetitive acts of self-diagnosing, self-questioning, and self-healing, pak has been able to return to art creation and become an active agent in society once again. both exhibitions consider how we negotiate our relationship between personal and public domains. how we navigate through these relationships could anticipate a way in which to respond with clarity; either through proposing new protocols and contracts or muddling and perverting existin ones. a response might be reactive or lateral; it might consider how personal healing might give comfort to a wounded society, how we might imagine structures that foster inclusive participation and how such a response might counter injustice and falsehood. this exhibition is supported by rc culture and arts foundation para site 677 king’s road 22/f, wing wah industrial building hong kong good luck with your natural, combined, attractive an truthful attempts in two exhibitions fundação eugénio de almeida 6 may – 01 october 2017 curators: elfi turpin crac alsace’s director and filipa oliveira partnership: crac alsace this is an exhibition project presented in two parts: the first in 2015 at crac alsace in france and the second at fórum eugénio de almeida in 2017. it brings together a group of artists who inscribe their practice within a logic of cooperation with several fields: social, geographic or economic, and that use the practice of relation, of exchange and of time as their main tools. these works presented proceed from (and are produce by) situations of sociability based on the notions of sharing the artistic act with, or delegating it to, other artists, the members of a community or the public. cooperation, transformation and exchange are the key words of the exhibition. summer at kunstverein graz march 2017 i ikigai jacob dwyer, , xue mu, bert scholten and ran zhang 8 april - 13 may juliette jongma , amsterdam spring at kunstverein graz march 2017 grazer kunstverein 10 march – 9 june 2017 opening reception: friday 10 march, 6pm new and extended commissions: céline condorelli with morten norbye halvorsen fiona hallinan on display: isabella kohlhuber isabel nolan adam zagajewski on reflection: ernst fischer our guiding leitmotif for 2017 is ‘the necessity of art’ – inspired by ernst fischer’s 1959 publication titled ‘the necessity of art – a marxist approach’. the year-long programme of new commissions and artistic research is guided by fischer’s claim that art is not only necessary in order to make it possible for humanity to recognise and change the world, but that art is also necessary by virtue of the magic inherent within it. under the new direction of kate strain, the artistic programme is conceived as an evolving process of changing seasons. new commis

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Domain Name: CHRISEVANS.INFO
Registry Domain ID: D1251468-LRMS
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Registrar URL: www.domainmonster.com
Updated Date: 2017-01-11T12:08:32Z
Creation Date: 2001-11-08T13:32:04Z
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Registry Registrant ID: C154205617-LRMS
Registrant Name: Chris Evans
Registrant Organization: Cubitt Artists Ltd
Registrant Street: 8 Angel Mews
Registrant City: London
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Registry Admin ID: C154205618-LRMS
Admin Name: Chris Evans
Admin Organization: Cubitt Artists Ltd
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  PCODE N1 9HH

  COUNTRY GB

  PHONE +44.7931722756

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  ORGANIZATION Cubitt Artists Ltd

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8 Angel Mews

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  COUNTRY GB

  PHONE +44.7931722756

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  ORGANIZATION Cubitt Artists Ltd

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